A few examples of appraisal values for
FROSTING THE TRAILS

• (MOUNTAINEERING) GROVE F. C. The
  (MOUNTAINEERING) GROVE F. C. The Frosty Caucasus. London: Longmans Green 1875. 8vo quarter morocco over pebbled boards title in gilt to spine. With frontispiece four wood engravings folding color map and single advertisement leaf at rear. First edition. Rebound; rubbing to boards with loss to edges and corners; hinges cracked; brownspotting heaviest at title page and endpapers; bookplates tipped to f.f.e.p and front pastedown.
• A.B. FROST (AMERICAN, 1851-1928),
  A.B. FROST (AMERICAN, 1851-1928), THREE SPORTING PRINTS Each a color offset print, to include a scene of hunters with dogs, with printed details; to also include two rabbit hunting scenes framed with text beneath images; presented in two frames.
• A.B. FROST (AMERICAN, 1851-1928),
  A.B. FROST (AMERICAN, 1851-1928), COMING ASHORE / GROUSE SHOOTING IN THE RHODODENDRONS (TWO WORKS) Each a hand-embellished aquatint, 1934, published by The Derrydale Press, New York, in uniform framing.
• JAMES MCBURNEY (AMERICAN, 1868-1955)James
  JAMES MCBURNEY (AMERICAN, 1868-1955)James McBurney (American, 1868-1955), "The Frost King's Trail", 1945, oil on canvas, signed and dated lower left, label with artist and title on stretcher, 20 in. x 24 in., unframed Condition: Overall fair condition
• Terry Frost (British, 1915-2003) Suspended
  Terry Frost (British, 1915-2003) Suspended Form, 1972 lithograph signed, dated, and numbered 57/65 in pencil 30 x 22 inches.
• Watercolor attributed to Frost,
  Watercolor attributed to Frost, grouse hunting in a field, signed lower left "A.B. Frost", possibly Arthur Burdett Frost, Sr., American, 1851-1928, watercolor on paper, backed with 1937 Philadelphia Record newspapers, 12-3/4 x 19-3/4 in.; early 20th century frame. Water damage upper right and bottom quarter, tears, ink marks bottom middle, other tears, fading. Property of a Descendant of Anthony Morris of Philadelphia, Pennsylvania.
• A.B. FROST (AMERICAN, 1851-1928),
  A.B. FROST (AMERICAN, 1851-1928), RAIL SHOOTING / RABBIT SHOOTING (TWO WORKS) Each a chromolithograph, with printed signatures, presented in uniform framing.
• Pastel forest scene titled "Stepping
  Pastel forest scene titled "Stepping by Woods on a Snowy Evening" and signed l.r. "C.Y. Bardeg(?)". 7"x5"
• ARTHUR BURDETT FROST (1851-1928)
  ARTHUR BURDETT FROST (1851-1928) WATERCOLORFramed Arthur Burdett Frost (1851-1928) watercolor and gouache depicting a bear attacking a horse with the rider and saddle on the ground. Signed lower center. Dimensions: (sight) 24.5"h x 16.5"w; (overall) 32.75"h x 24.5"w. Provenance: Estate of William B. Ruger Jr. Frost was a well known illustrator and sporting artist. Since he was a sportsman himself, his works capture the excitement and sometimes humor of every scene. He also spent time at the Art Colonies of Rockport, Massachusetts and Long Island. Processing and shipping within the continental U.S. $68.00 plus 1.5% replacement cost insurance. Condition: 1" vertical tear from upper center edge. No indication of restoration under UV light. Did not examine out of frame. Witherell's strives to provide as much information and photographs as possible but encourages in-person inspection by bidders. Condition: statements are only for general guidance and should not be relied upon as complete statements of fact and do not constitute a representation, warranty or assumption of liability by Witherell's. All lots are sold "AS IS" under terms and conditions. Please be advised we do not provide porters nor packing materials for pick ups.
• William R. Hollingsworth Jr. (American/
  William R. Hollingsworth Jr. (American/ Mississippi 1910-1944) "Frosty Morning" watercolor on paper monogrammed lower right titled and inscribed en verso 22 1/2 in. x 29 3/4 in. matted and framed. Provenance: Descended in the family of noted Mississippi art collector Bitsy Irby. Note: A native of Jackson MS William Hollingsworth returned home in 1934 after six years of art studies. Hollingsworth is known for his watercolors of the countryside near Jackson of which "Frosty Morning" is a prime example. Two African American figures walk down a road running at a diagonal across the composition leading to several sharecropper cabins in the distance. In 1937 Hollingsworth earned national attention when a study of black culture won him the William Tuthill Prize at an international watercolor show at the Art Institute of Chicago. Unfortunately his artistic output was limited to a mere ten years as the artist took his life in the summer of 1944. His work is quite rare especially highly accomplished compositions such as "Frosty Morning".
• Pastel on paper snow scene of a
  Pastel on paper snow scene of a covered bridge and a sleigh 23 1/4" x 14 1/4". ?
• Sergius Frost painting (Danish,
  Sergius Frost painting (Danish, 1900-1994), coastal scene, signed lower right "Sergius Frost", oil on canvas, 27-5/8 x 39-1/2 in.; original gilt wood frame. Original stretcher and tacking edge, light grime; frame with abrasions.
• Arthur Burdett Frost watercolor
  Arthur Burdett Frost watercolor (Pennsylvania/California, 1851-1928), trompe l'oeil two ducks tied with string nailed to boards, signed lower right "A.B. Frost", watercolor on paper, 17-3/4 x 11-1/4 in. (sight); figured maple ogee molding frame. Laid down on card, toning. A North Carolina Collection.
• MELTING SNOWMAN TREASURE TRAILS
  MELTING SNOWMAN TREASURE TRAILS COVERBiers, Clarence (American, 1913-1978). Melting Snowman Treasure Trails Cover. Circa 1955. Full color illustration of melting snowman with puppy bringing slippers to help out. Likely an illustration for the front cover of the January, 1955 issue of Treasure Trails, magazine of The Childrenês Hour. 10 _ x 8 _ inches, on a larger board with marginal pencil notations. Signed. Very good.
• AFTER JAMES EARLE FRASER, "THE
  AFTER JAMES EARLE FRASER, "THE END OF THE TRAIL" PAIR OF PATINATED METAL SCULPTURES H: 8 IN. (20.3 CM.)After James Earle Fraser, "The End of The Trail" Pair of Patinated Metal Sculptures, Dimensions: H: 8 in. (20.3 cm.)
• George Albert Frost (American,
  George Albert Frost (American, 1843-1907) Forest Scene, 1903 oil on canvas signed and dated lower right GA Frost 1903; unfinished sketch of a tree is on the reverse. 14 x 18 inches. Property from the Collection of Harry Peterson, Lantana, Florida
• WOODEN SLED. Paint decorated with
  WOODEN SLED. Paint decorated with red ground yellow flowers and green leaves. 32''l.
• Arthur Burdett Frost (Pennsylvania/California,
  Arthur Burdett Frost (Pennsylvania/California, 1851-1928), Illustration of a Western Scene, signed lower left "A.B. Frost", watercolor and gouache in grisaille on illustration board, 20-3/4 x 19-1/4 in.; wood frame,
• DANIEL MALDONADO (TX, 1940-2019)
  DANIEL MALDONADO (TX, 1940-2019) Frosty Night on the Range, watercolor on board, signed lower right, depicting a lone cowboy approaching a cabin on a cold Texas evening, in a white distress painted wooden frame, OS: 37 1/4" x 47 1/4", SS: 29 3/4" x 39 1/2".
• TERRY FROST (BRITISH, 1915-2003)
  TERRY FROST (BRITISH, 1915-2003) BROWN BLUE AND BLACK DECENDING Lithograph in colors. Signed and dated 'Terry Frost 87' (lower right) and numbered edition 51/75.
• MICHAEL WHEELER ACRYLIC ON CANVASMICHAEL
  MICHAEL WHEELER ACRYLIC ON CANVASMICHAEL WHEELER (Kentucky, b.1952) acrylic on canvas, "Winter's Trail," snow-covered forest. Signed lower right, titled verso, 24" x 36" (image), 31" x 43" (frame).
• A. B. FROST (AMERICAN, 1851-1928),
  A. B. FROST (AMERICAN, 1851-1928), FOUR ILLUSTRATIONS Ink on paper, one signed at lower left; illustrations include produce shopping at top left, a man with corncob pipe at top right, an artist and his dog at lower right, and two men over a fence at lower left; matted and presented under glass in a single frame.
• Terry Frost (British, 1915-2003) Green
  Terry Frost (British, 1915-2003) Green and Orange, 1970 lithograph signed, dated, and numbered 1/75 in pencil. Pencil inscribed on verso "FROST Green & Orange". 20 x 26 inches.
• Frost ''In the Clearing'' N.Y.
  Frost ''In the Clearing'' N.Y. 1962 First Edition signed by Frost dust jacket; along with ''A Further Range'' N.Y. 1936 later printing signed by Frost. Provenance: Aunt (Caroline Gay Wilgus) of current owner became a friend of Frost's daughter during the Frost family's stays in Ann Arbor Michigan c. 1910 and received this book from Frost.
• ARTHUR BURDETT FROST (1851-1928)"With
  ARTHUR BURDETT FROST (1851-1928)"With One Final Puff He Rolled Into the Trench," 1917 estate stamp "A B Frost" lower right ink wash, 17 1/2 by 12 1/2 in. Arthur B. Frost was born in Philadelphia in 1851, but spent his most prolific years in New Jersey. Considered one of the great illustrators of the Golden Age of American Illustration, he illustrated more than ninety books and produced thousands of illustrations for “Harper’s Weekly,” “Scribner’s,” and “Life” magazines. Frost’s illustrative work chronicles the mood and details of the daily life of farmers, hunters, and fishermen, as well as barnyards and pastoral motifs. By 1876, he was on Harper’s staff working on many books, including “Tom Sawyer,” “Uncle Remus,” and “Mr. Dooley.” He also illustrated Theodore Roosevelt’s sporting book, "Hunting Trips of a Ranchman." Frost was an ardent sportsman who spent his summers and autumns fishing, rowing, and hunting ducks and snipe. He completed hundreds of watercolors and oils of the New Jersey seaside. Frost is best known for his hunting and shooting prints which capture the drama of sport in realistic, detailed settings. Frost lived at his estate, Moneysunk, in Convent Station, New Jersey. A.B. Frost created this drawing as an illustration for the story "Wamble: His Day Out," which appeared in "Collier's Weekly" in 1917. Provenance: The Estate of the Artist Sotheby Parke Bernet, New York, Sale 3834, item 405, January 29, 1976 The Estate of Ann Dickinson Dale Literature: Samuel Hopkins Adams, "Wamble: His Day Out," Collier's Weekly, January 13, 1917, pp. 16-18, illustrated.
• JACK FROST, PENCIL SKETCH"House
  JACK FROST, PENCIL SKETCH"House Where Plans Were Laid....which ended the Revolutionary War." (American, 1915-1997), signed, framed, not examined out of frame. Small stains, tear or wrinkle lower right. Frame size: 14 1/2" high, 19 1/2" wide. Condition: Any condition information included in our lot descriptions is not the equivalent of a written condition statement, and the absence of condition information does not imply that the lot is free of defects. Our auction lot descriptions reflect our effort to provide accurate, objective and fair information on all lots for sale, and we encourage bidders to request written condition statements and large file images on any lots of interest by emailing condition@woodburyauction.com. We also strongly advise that you or someone on your behalf inspect the lot personally before bidding. All lots are sold "as is" and "where is" and neither we nor any consignor makes any warranties or representation of any kind or nature with respect to the property. There are no returns and no refunds based on condition
• DOUG OSA 'FROST COVERED TREES'
  DOUG OSA 'FROST COVERED TREES' WATERCOLORDoug Osa (Kansas, b. 1952) Frost Covered Trees, 1990 Watercolor on paper 20 1/4" x 28" (sight) A late-autumn landscape by the skilled Kansas-based realist painter, signed and dated to the bottom right. Presented behind glass in an archival frame that measures 30" x 37". Provenance: From the corporate art collection of a Kansas City based Fortune 500 company, previously acquired from the American Legacy Gallery in Kansas City, MO. Condition Very good condition, noting only a small loss to the gold leaf to the right of the frame. Not removed from the frame.
• Terry Frost (British, 1915-2003) Black
  Terry Frost (British, 1915-2003) Black and Red on Blue, 1968 screenprint on paper signed, dated, and numbered 21/75 in pencil 22 5/8 x 30 3/8 inches.
• DUTCH WINTER WONDERLAND ICESKATING
  DUTCH WINTER WONDERLAND ICESKATING POND PAINTING Netherlands19th CenturyDepicts a large brick building beside an iced over pond populated by numerous people walking across the frozen surface.
• P. FROST (CONTEMPORARY ME) A Pair
  P. FROST (CONTEMPORARY ME) A Pair of Old Wooden Bead and Board Cottage Shutters, painted in oils, marked on reverse "Turbat's Creek, P. Frost". Depicting a harbor with empty skiff beached in the foreground. Kennebunk, ME location. 57" x 30" excluding hardware, not conjoined.
• TERRY FROST (BRITISH, 1915-2003)
  TERRY FROST (BRITISH, 1915-2003) "STACKED ON THE SIDE" Lithograph. Signed and dated 'Terry Frost '70' (lower right) and numbered '60/75'.Artist BioTerry Frost (British, 1915-2003)Terry Frost was a British abstract artist who was renowned for his use of the Cornish light, color, and shape to start a new art movement in England. He became a leading exponent of abstract art and a recognized figure of the British art establishment.
• TERRY FROST (BRITISH, 1915-2003)
  TERRY FROST (BRITISH, 1915-2003) "ICE BLUE" 1972 Lithograph in colors. signed and numbered edition 16/65.
• ATTRIB VANCE MILLER, "EARLY FROST",
  ATTRIB VANCE MILLER, "EARLY FROST", OIL PAINTING Attributed to Vance Miller (American / West Virginia 1912-2002), "Early Frost", oil on canvas board depicting an impressionist snow covered landscape, apparently unsigned. Approximate dimensions: canvas h. 6. 875", w. 5". Frame h. 9. 625", w. 7. 625", d. 1".
• § SIR TERRY FROST R.A. (BRITISH
  § SIR TERRY FROST R.A. (BRITISH 1915-2003) GREY, BLACK AND WHITE, CIRCA 1950 signed and inscribed 'Grey, Black, White' (to reverse), oil on board, with painting of a nude to reverse of canvas60cm x 22cm (23.6in x 8.5in)Exhibited: Royal West of England Academy, Bristol, StIves: Movements in Art and Life, 14 March to 19 September 2020.Literature: Published with title 'Walk Along the Quay, 1948 (first edition)' Tate Gallery (1985), St Ives 1939-64: Twenty Five Years of Painting, Sculpture and Pottery, Tate Gallery Productions, London, p. 30;Published with title 'Walk Along the Quay (black, white and grey), 1948) Lewis, David ed. (2000), The Incomplete Circle: Eric Atkinson, art and education, Scolar Press, London, p.44.Terry Frost arrived in Cornwall in 1946, staying in a caravan at Cabris Bay and then a house on Quay Street, St. Ives, before returning to London and the Camberwell School of Arts and Crafts in 1947. He re-visited Cornwall over the next few summers before settling in St Ives in 1950. Barbara Hepworth gave him a job as her assistant at this point, alongside fellow artists Denis Mitchell and John Wells, offering him a steady income and structured working week. It was around this period that Frost began his series of paintings of the quayside. David Lewis, art historian and Barns-Graham’s husband, commented:These “paintings were definitely beginnings for Frost. Boat shapes, masts, riggings, water, sky, rippling, all became free compositional elements of mass, lie, colour, texture and movement rocking to and fro ... because the boats are never still, never static, and so you’ve got this terrific sort of up and down motion, this leaning over that.” When Ben Nicholson first saw works from this series, he exclaimed ‘you’ve got on to something that can last you for the rest of your life’ and it remains true that these shapes were to recur in Frost’s work throughout his career, even as his choice of colour grew bolder and compositions more abstract.Grey, Black and White feels completely abstract at first glance but with further consideration, the overlapping elements emerge to reveal a quayside scene. Frost remains preoccupied with form and texture, restricting his colour palette to focus on depth and volume. The resulting composition is quintessentially mid-century and St. Ives, as well as a microcosm of Frost’s wider artistic considerations of the period.
• VICTOR KORECKI WINTER ROAD LANDSCAPE
  VICTOR KORECKI WINTER ROAD LANDSCAPE PAINTING Poland, Russian Federation,1890-1980Impressionist depiction of a snow covered path lined by birch trees illuminated by warm light. Korecki studied at the Drawing School Muraszki in Kiev and exhibited his work at the Society for the Encouragement of Fine Arts.
• COLLAGE, MICHELLE STUART Michelle
  COLLAGE, MICHELLE STUART Michelle Stuart (American, b. 1940), "The Frost," 1958, pigment and rag paper collage, signed, titled, and dated lower right, sight: 14"h x 10"w, overall (with frame): 22.25"h x 17.5"w